Thursday, September 18, 2008

We went to the county fair.
The birds and the beasts were there.
The fastest Hollywood Pigs. . .
the smallest horse. . .
the tallest giraffe . . .
the quickest tongue. . .
the bravest high-wire artist.

But my favorite was in the 4-H building where we had the pleasure of watching the loveliest 5th grader present demonstration on making a south western snack dip. She was serious and determined standing before the judges panel. My heart went out to her at blip and bump that she encountered but oh my goodness, she just kept on keeping on ...... a real little trouper. And how I hope the judges were kind in there marking of her work in organization and presentation.

In the crafts building, I was wowed by some beautiful quilts and quilted things. A colleague of mine at school entered a lovely country-styled christmas tree skirt in tans and browns embellished with yo-yos and buttons.

In the end, I did not enter my quilts but chose instead to enter my concertina fabric book made with African fabrics. Happily, it took a second place ribbon.




Monday, September 08, 2008

Of Quilts, County Fairs, and Hippy Wanna-Be's
I have never exhibited a quilt (or anything else) at a county fair.
But I always wanted to.

This summer I began thinking that it was time to have a go.
I mean, if not now, when?
_________________
So tomorrow, I am bringing two quilts to the Rochester County Fair which runs from September 12 until September 21. One is the quilt above called, Churn Dash with an Attitude. Each element was hand-drawn and hand-pieced; it is bed-sized. And was machine quilted.
There is a nice story behind this quilt, I think. A number of years ago I took a week-end quilt class with Diane Hire. It was a technique class, learning to draft and hand-piece. I was intriqued as I had only done machine-piecing until then. Diane learned these old techniques from her Kentucky grandmother with whom she stayed one summer.

The class was to make one Churn Dash block. I loved the slow, patient drawing, cutting and sewing and so I just kept on making blocks. Every where I went, I carried these little plastic baggies with parts of blocks in them. This quilt took several years and was worked on in quite a few states, on business trips, on family vacations, in cars and on planes.

I am also taking the wallhanging above which is based on a children's book called the Egg Lady about a ditsy, hippy-wanna-be woman named Mrs. Penntwort whose chickens lay eggs that look like everything the chicken looks at: the sun, the clouds, a Picasso and lots more. Obviously, Mrs. Pennywort and her colorful chickens become the hit of the town.

And that is the beginning of the story.

And this is Mrs. Pennywort.

You can see that I have taken broad artistic license with the poultry!

I'll keep you posted!

Sunday, September 07, 2008

ORPHAN PAGES
....... from my first altered book .......

This is the cover from my first altered book. I experienced a lot of difficulty with the text block and had to sacrifice the work that went into the project. The learnings and take-aways from this project were many......among them:

1) be patient and let the project evolve;
2) be certain the text block and binding on an old book is sufficiently intact and strong enough to withstand the glue, paint, and embellishments;
3) embellish the inside cover pages -both front and back- LAST....... there will be so many more options for covering and embellishing the completed work.

Most of my work did make it into the new book but I have never figured out what to do with the cover....which I like very much.

The little squares decorating the cover are pieces of glued and painted antique lace, a fun project that produces an entirely new material. The background is home dec fabric, rather silky. And I like the framed face of the woman.....she is somehow restricted by the frame and yet her large expressive eyes are so open and curious they suggest freedom.


This page too was sacrificed.

The background is layers of paint printed with bubblewrap.

Over top of the background is painted card.

The focal points are the word 'faith' ---- a commercial piece that I cut and glued.

The little square beneath is made of fabric and fibers with a tight satin stitch border which is glued to the card beneath.

I was really sorry to lose this page.......

And think it can stand alone but I haven't put the time into figuring out how to display it......



This is my TS Eliot page based on Prufrock.

In addition to paint and paper and glue, it is embellished with sea glass, beads, fibers and more.

I am open to ideas about how to display these orphans and would welcome any suggestions.